Remember the famous scene in Sholay where Hema Malini shouts “Chal Dhanno!” as she is chased by Gabbar Singh’s men? While the audience rooted for the actor, the real hero of that iconic action sequence was stuntwoman Reshma Pathan who rode the speeding cart. She has spent 3 decades as body double to Bollywood’s leading ladies.
Lead stunt double for Gal Gadot in the film Wonder Woman, Caitlin Dechelle was responsible for the kickass stunts and fighting scenes that brought the film to life. A martial artist from the age of six, she has 95 world titles. To find out more, I put 20 questions to Caitlin about martial arts, stunts and working on Wonder Woman.
The practice is called wigging: stuntmen don wigs and women’s clothing to resemble female actors while filming risky action scenes. Camera angles, special effects and...
“Hopefully, people will see that we are not people to look over.” Keisha Tucker is a member of one of Hollywood’s most superlative, small, but...
Paula Dell, whose acrobatic feats made her a Muscle Beach star in Santa Monica, Calif., and a pioneering and fearless Hollywood stuntwoman — for...
https://www.youtube.com/watch?v=Qhxn74Si54g Meet the Extraordinary Lauren Mary Kim, dancer, acrobat, Laker Girl, martial artist, stuntwoman and one of today’s most sought after female stunt performers. Lauren Mary Kim...
https://www.youtube.com/watch?v=NgTi2qa34BY There are a small number of gutsy Hollywood stars who insist on doing their own stunt work. But because most A-listers are happy to...
When you’re drooling over Megan Fox in Transformers: Revenge of the Fallen (2009) reserve some drool for Stacey Carino, who, as Fox’s stunt double, did a lot of the legwork. In her six-year career Stacey has worked on movies as varied as Bruce Almighty, The Jane Austen Book Club, and Tim Burton’s upcoming Alice in Wonderland.
Becoming a stuntwoman is especially difficult in an industry where men often play female characters. But more performers are breaking through. A woman is doubled...
Helen Gibson’s strong, handsome face and dark hair gave her the look of someone who would try anything. In 1915, while in her early twenties, she was doubling for the star The Hazards of Helen. She was supposed to leap from the roof of the station to the top of a moving train. Years later, she called it her most dangerous stunt.